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Fury poster

Movies that feel likeFury (1936)

Joe, who owns a gas station along with his brothers and is about to marry Katherine, travels to the small town where she lives to visit her, but is wrongly mistaken for a wanted kidnapper and arrested.

If you loved Fury, the closest films we have are The Big Heat (1953), The Woman in the Window (1944) and Scarlet Street (1945). All three share Fury's gritty and atmospheric feel, which is what we rank on before quality.

Seen the big three already? The under-the-radar pick below is Blast of Silence (1961).

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If Fury hit the spot, these will too

The Big Heat poster
The Big Heat
1953 Β· dir. Fritz Lang
πŸ… 95%β˜… 7.9crime Β· thriller

Both are Fritz Lang's work, and they rhyme

The difference: Trades the stillness of Fury for an angle of its own

After the suspicious suicide of a fellow cop, tough homicide detective Dave Bannion takes the law into his own hands when he sets out to smash a vicious crime syndicate.

The Woman in the Window poster
The Woman in the Window
1944 Β· dir. Fritz Lang
πŸ… 83%β˜… 7.6crime Β· drama Β· thrillerPrime Video

Fritz Lang directing both, with the same fingerprints on each

The difference: Easier on the relentlessness than Fury

A seductive woman gets an innocent professor mixed up in murder.

Scarlet Street poster
Scarlet Street
1945 Β· dir. Fritz Lang
πŸ… 100%β˜… 7.7drama Β· crimePrime Video

Common ground in both: film noir and murder

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.

M poster
M
1931 Β· dir. Fritz Lang
πŸ… 100%β˜… 8.3drama Β· thriller Β· crimeMax

Both are built on the same subject: film noir

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Odd Man Out poster
Odd Man Out
1947 Β· dir. Carol Reed
πŸ… 100%β˜… 7.6crime Β· drama Β· thrillerMax

Gritty where it counts, contemplative underneath

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

Point Blank poster
Point Blank
1967 Β· dir. John Boorman
πŸ… 93%β˜… 7.2crime Β· thriller Β· drama

One thread runs through both: revenge

The difference: 31 years apart, and the 1960s show

After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.

Blast of Silence poster
Blast of Silence
1961 Β· dir. Allen Baron
πŸ… 83%β˜… 7.4crime Β· drama Β· thriller

Both keep coming back to the same thing: murder

A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.

The Big Clock poster
The Big Clock
1948 Β· dir. John Farrow
πŸ… 100%β˜… 7.6crime Β· thriller

The same mix in both: tension, then atmosphere

George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.

The Postman Always Rings Twice poster
The Postman Always Rings Twice
1946 Β· dir. Tay Garnett
πŸ… 90%β˜… 7.4drama Β· romance Β· crime

Romantic crime in both cases

The difference: Leans harder into romance than Fury does

A married woman and a drifter fall in love, then plot to murder her husband.

Criss Cross poster
Criss Cross
1949 Β· dir. Robert Siodmak
πŸ… 86%β˜… 7.4crime Β· thriller

Both lean on grit more than on thriller

An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.

The Narrow Margin poster
The Narrow Margin
1952 Β· dir. Richard Fleischer
πŸ… 100%β˜… 7.6thriller Β· crime

Drama built on tension, twice over

A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles.

High Sierra poster
High Sierra
1941 Β· dir. Raoul Walsh
πŸ… 92%β˜… 7.5crime Β· drama Β· action

Crime with a pulse of stillness, in both cases

The difference: Sits closer to action than Fury does

Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.

In the mood for more gritty?

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The best-reviewed films that share Fury’s defining feeling.