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Giant poster

Movies that feel likeGiant (1956)

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

If you loved Giant, the closest films we have are The Man Who Shot Liberty Valance (1962), Shane (1953) and The Searchers (1956). All three share Giant's gritty feel, which is what we rank on before quality.

Seen the big three already? The under-the-radar pick below is She Wore a Yellow Ribbon (1949).

πŸ… 86% Rotten Tomatoesβ˜… 7.6 IMDb β†—TMDB β†—dir. George Stevenscontemplativegritty
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If Giant hit the spot, these will too

The Man Who Shot Liberty Valance poster
The Man Who Shot Liberty Valance
1962 Β· dir. John Ford
πŸ… 95%β˜… 8.1western

Both are working the same pair: funeral, ranch

The difference: Takes it somewhere less contemplative than Giant does

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

Shane poster
Shane
1953 Β· dir. George Stevens
πŸ… 97%β˜… 7.6drama Β· westernParamount+

The same hand behind both of them: George Stevens

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

The Searchers poster
The Searchers
1956 Β· dir. John Ford
πŸ… 87%β˜… 7.8western

One thread runs through both: texas

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

Fort Apache poster
Fort Apache
1948 Β· dir. John Ford
πŸ… 100%β˜… 7.4western

Gritty western in both cases

Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

The Ox-Bow Incident poster
The Ox-Bow Incident
1943 Β· dir. William A. Wellman
πŸ… 90%β˜… 8western

Both lean on grit more than on drama

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

Duck, You Sucker poster
Duck, You Sucker
1971 Β· dir. Sergio Leone
πŸ… 92%β˜… 7.5westernPrime Video

Western built on grit, twice over

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

She Wore a Yellow Ribbon poster
She Wore a Yellow Ribbon
1949 Β· dir. John Ford
πŸ… 91%β˜… 7.2drama Β· western

Contemplative drama, and it commits to that

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

Hang 'em High poster
Hang 'em High
1968 Β· dir. Ted Post
πŸ… 93%β˜… 7western Β· drama

Both keep coming back to the same thing: judge

Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.

Stagecoach poster
Stagecoach
1939 Β· dir. John Ford
πŸ… 100%β˜… 7.8westernPrime VideoMax

The western is handled with the same confidence

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

The Wrong Man poster
The Wrong Man
1956 Β· dir. Alfred Hitchcock
πŸ… 93%β˜… 7.4crime Β· dramaMax

Drama with a pulse of stillness, in both cases

The difference: Leans harder into crime than Giant does

In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

Pickpocket poster
Pickpocket
1959 Β· dir. Robert Bresson
πŸ… 93%β˜… 7.5crime Β· drama

A streak of stillness through both

Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.

The Young and the Damned poster
The Young and the Damned
1950 Β· dir. Luis BuΓ±uel
πŸ… 91%β˜… 8.2drama Β· crime

Both are drama through and through

A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.

In the mood for more contemplative?

all contemplative movies β†’

The best-reviewed films that share Giant’s defining feeling.