Movies that feel likeWho's Afraid of Virginia Woolf? (1966)

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life.

The three sons of devout Danish farmer Morten have widely disparate religious beliefs. Youngest son Anders shares his father's religion, but eldest son Mikkel has lost his faith, while middle child Johannes has become delusional and proclaims that he is Jesus Christ himself. When Mikkel's wife, Inger goes into a difficult childbirth, everyone's beliefs are put to the test.

Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family's cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger brother, Minus, is confused by Karin's vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.

As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy. Olivier is at his most inspired—both as director and as the melancholy Dane himself—as he breathes new life into the words of one of the world’s greatest dramatists.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

Carrie Watts is living the twilight of her life trapped in an apartment in 1940s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish – just once before she dies – is to revisit Bountiful, the small Texas town of her youth which she still refers to as "home."

Two aged sisters reflect on life and the past during a late summer day in Maine.